How 10 people can play piano?

I'm again here. It was a long time. now i have two jobs and one desease, want to buy bansuri and maybe khaen, teach one guy to play recorder and hope to gather my own folk group.

if anyone interested in such information ^_^_^"

Example of playing:

Carillon

Organ interface for bells.

Some information from Wikipedia:

A carillon is a musical instrument that is usually housed in a free-standing bell tower, or the belfry of a church or other municipal building. The instrument consists of at least 23 cast bronze cup-shaped bells, which are played serially to play a melody, or sounded together to play a chord. A carillon is played by striking a keyboard the keys of which are sometimes called "batons" with the fists and by pressing the keys of a pedal keyboard with the feet. The keys mechanically activate levers and wires that connect to metal clappers that strike the bells, allowing the performer, the carillonneur, to vary the intensity of the note according to the force applied to the key.

The carillon is the heaviest of all extant musical instruments; the total weight of bells alone can be 100 tons in the largest instruments. The greatest concentration of carillons is still found in the Netherlands, Belgium, and Northern France, where they were symbols of civic pride and status. Some of the most spectacular are now protected by UNESCO as part of the world heritage site the Belfries of Belgium and France.

How it looks:


Example of playing:

Harpsichord

Thanks to Oramah Maalhur (шаурама) for this instrument. And maybe harp just means "musical instrument" in english? I see it word in half of posts.

Some information from Wikipedia:

A harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed.

In the narrow sense, "harpsichord" designates only the large wing-shaped instruments in which the strings are perpendicular to the keyboard. In a broader sense, "harpsichord" designates the whole family of similar plucked keyboard instruments, including the smaller virginals, muselar, and spinet.

The harpsichord was widely used in Renaissance and Baroque music. During the late 18th century it gradually disappeared from the musical scene with the rise of the piano. But in the 20th century it made a resurgence, used in historically informed performance of older music, in new (contemporary) compositions, and in popular culture.

How it looks:


Example of playing:

ondes Martenot

Thanks for all people who help me with this blog. And thanks mr.Flasher for telling me about this instrument.

Some information from Wikipedia:

The ondes Martenot, also known as the ondium Martenot, Martenot and ondes musicales, is an early electronic musical instrument invented in 1928 by Maurice Martenot. The original design was similar in sound to the theremin. The sonic capabilities of the instrument were later expanded by the addition of timbral controls and switchable loudspeakers.

The instrument's eerie wavering notes are produced by varying the frequency of oscillation in vacuum tubes. The production of the instrument stopped in 1988, but several conservatories in France still teach it. Since 2008, Jean-Loup Dierstein, with the support of Maurice Martenot's son, has been building ondes Martenot instruments based on the model used when production stopped in 1988.

The ondes Martenot is unique among electronic musical instruments in its methods of control. Maurice Martenot was a cellist, and it was his vision to bring the degree of musical expressivity associated with the cello to his new instrument. The ondes, in its later forms, can be controlled either by depressing keys on the six-octave keyboard, or by sliding a metal ring worn on the right-hand index finger in front of the keyboard. The position of the ring corresponds in pitch to the horizontal location along the keyboard. The latter playing method allows for unbroken, sweeping glissandi to be produced in much the same manner as a Theremin. The keyboard itself has a lateral range of movement of several millimeters, permitting vibrati of nearly a semitone below or above the pitch of the depressed key to be produced.

By depressing keys or moving the ring, no sound is initially produced. A control operated by the left hand and situated in a small drawer of controls on the left side of the instrument controls the musical dynamics, from silence to fortissimo. This control is glass and lozenge-shaped, and can be depressed several centimetres. The depth to which this key is depressed determines the dynamic level: the deeper, the louder. The manner in which it is pressed determines the attack of the note: quick taps produce staccato articulations, whilst more controlled and deliberate depressions are used to play legato.

The small drawer of controls also contains flip-switches to control the instrument's timbre. These function in much the same way as a pipe organ's stops can be added or removed. Like organ stops, each switch has its own sound color which can be added to the chorus of other timbres.

How it looks:




Example of playing:

Pipe organ

Common instrument for catholics, but unpopular for groups of musicians.

Some information from Wikipedia:

The pipe organ is a musical instrument that produces sound by driving pressurized air (called wind) through pipes selected via a keyboard. Because each organ pipe produces a single pitch, the pipes are provided in sets called ranks, each of which has a common timbre and volume throughout the keyboard compass. Most organs have multiple ranks of pipes of differing timbre, pitch and loudness that the player can employ singly or in combination through the use of controls called stops.

A pipe organ may have one or several keyboards (called manuals) played by the hands, and a pedalboard played by the feet, each of which has its own group of stops. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are depressed, unlike the piano and harpsichord, the sounds of which begin to decay the longer the keys are held. The smallest portable pipe organs may have only one or two dozen pipes and one manual; the largest may have over 20,000 pipes and seven manuals.

The origins of the pipe organ can be traced back to the hydraulis in Ancient Greece in the 3rd century BC, in which the wind supply was created with water pressure. By the sixth or 7th century AD, bellows were used to supply organs with wind. Beginning in the 12th century, the organ began to evolve into a complex instrument capable of producing different timbres. By the 17th century, most of the sounds available on the modern classical organ had been developed. From that time, the pipe organ was the most complex man-made device, a distinction it retained until it was displaced by the telephone exchange in the late 19th century.

Pipe organs are installed in churches, synagogues, concert halls, and other public buildings and are used for the performance of classical music, sacred music, and secular music. In the early 20th century, pipe organs were installed in theatres to accompany films during the silent movie era, in municipal auditoria, where orchestral transcriptions were popular, and in the homes of the wealthy, equipped with player mechanisms. The beginning of the 21st century has seen a resurgence in installations in concert halls. The organ boasts a substantial repertoire, which spans over 400 years.

How it looks:




Example of playing: