25 January, 2011

Shakuhachi

Some information from Wikipedia:

The shakuhachi is a Japanese end-blown flute. It is traditionally made of bamboo, but versions now exist in ABS and hardwoods. It was used by the monks of the Fuke school of Zen Buddhism in the practice of suizen (吹禅?, blowing meditation). Its soulful sound made it popular in 1980s pop music in the English-speaking world.

Shakuhachi are usually made from the root end of a bamboo culm and are extremely versatile instruments. Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces.

Much of the shakuhachi's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation. Different fingerings, embouchures and amounts of meri can produce notes of the same pitch, but with subtle or dramatic differences in the tone colouring. Holes can be covered partially (1/3 covered, 1/2, 2/3, etc.) and pitch varied subtly or substantially by changing the blowing angle. The honkyoku pieces rely heavily on this aspect of the instrument to enhance their subtlety and depth.

Unlike a recorder, where the player blows into a duct—a narrow airway over a block which is called a "fipple"—and thus has limited pitch control, the shakuhachi player blows as one would blow across the top of an empty bottle (though the shakuhachi has a sharp edge to blow against) and therefore has substantial pitch control. The five finger holes are tuned to a pentatonic scale with no half-tones, but using techniques called meri and kari, in which the blowing angle is adjusted to bend the pitch downward and upward, respectively, the player can bend each pitch as much as a whole tone or more. Pitches may also be lowered by shading or partially covering finger holes. Since most pitches can be achieved via several different fingering or blowing techniques on the shakuhachi, the timbre of each possibility is taken into account when composing or playing. The shakuhachi has a range of two full octaves and a partial third octave. The various octaves are produced using subtle variations of breath and embouchure.

How it looks:




Example of playing:


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