10 December, 2010

Hang

One from the newest musical instruments. Its old is just ten years, but it already gets millions views at youtube.

Some information from Wikipedia:

A Hang is a musical instrument in the idiophone class created by PANArt in Switzerland. The Hang is made from two deep drawn nitrided steel sheets that are attached together creating the recognizable 'UFO shape'. There is nothing inside the Hang but air. The top (Ding) side has a center 'note' hammered into it with 7 or 8 'tone fields' hammered around it. The bottom (Gu) is a simpler surface that has a rolled hole in the center with a tuned note that can be created when the rim is struck. The Hang uses some of the same physical principles as a steelpan but with a nitrided surface and structural change of having two clamped shells with a small opening so that the instrument is a Helmholtz Resonator. The creation of the Hang was the result of many years of research on the steelpan as well as the study of a diverse collection of instruments from around the world such as gongs, gamelan, ghatam/udu, drums, and bells. Metallurgical and acoustic research by the makers has led to significant changes and refinement in structure, design, and process over the years since the first Hang was offered. The Hang is sometimes referred to as a Hang drum. The 'drum' label, however, is discouraged by PANArt: "Treating it as a drum and promoting the name Hang Drum ... has created a ripple effect of misinformation that leads to damaged Hang, physical injury, and mental and emotional turbulence."

The Hang is typically played resting on the player's lap, and can also be played on a stand. The Hang is generally played with the hands and fingers instead of mallets. This lighter playing tends to produce a complex overtone-rich sound that could be considered 'softer' and 'warmer' than the 'bright' sound of a mallet based traditional steelpan.

The Hang was developed in 2000 in Berne, Switzerland by Felix Rohner and Sabina Schärer. It was introduced at the Musikmesse Frankfurt in 2001. Its name comes from the Bernese German word for hand. The two deep drawn steel hemispheres of the Hang are hardened by a process known as gas-nitriding. The side considered the 'bottom' has an opening (Gu) in the center which allows the generation of the bass note through Helmholtz resonance. When it is played in a dampened way it can change in pitch similar to a talking drum. On the 'top' are seven (in the bass version of the Hang) or eight (treble version which is no longer produced) notes arranged in a 'Tone Circle' in zig-zag fashion from low to high. All are tuned harmonically (with fundamental, octave and the fifth above the octave) around a low note (Ding) at the center of the Tone Circle. Each creation is numbered and signed.

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09 December, 2010

Marimba

I think marimba and xylophone are different instruments because they have different structure and different sounds. So i should to describe xylophone at 1st because it's much simplier, but i haven't time now to search information about it so i describe marimba.

Some information from Wikipedia:

The marimba (also: Marimbaphone) is a musical instrument in the percussion family. Keys or bars (usually made of wood) are struck with mallets to produce musical tones. The keys are arranged as those of a piano, with the accidentals raised vertically and overlapping the natural keys (similar to a piano) to aid the performer both visually and physically.

The chromatic marimba was developed in southern Mexico and northern Guatemala from the diatonic marimba, an instrument whose ancestor was a type of balafon that African slaves built in Central America.

Modern uses of the marimba include solo performances, woodwind ensembles, marimba concertos, jazz ensembles, marching band (front ensembles), drum and bugle corps, and orchestral compositions. Contemporary composers have utilized the unique sound of the marimba more and more in recent years.

When playing the marimba it is preferred to strike just off center or right on the edge (for the "black keys") for the fullest tone, while striking the bar in the center produces a more articulate tone. Playing on the node (the location where the string passes through the bars) is sonically very weak, so it is only used when the player or composer is looking for that particular muted sound.

Part of the key to the marimba's rich sound is its resonators. These are metal tubes (usually aluminium) that hang below each bar. The length varies according to the frequency that the bar produces. Vibrations from the bars resonate as they pass through the tubes. In instruments exceeding 4½ octaves, the length of tubing required for the bass notes exceeds the height of the instrument.

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08 December, 2010

Melodica

In my childhood was something like this. Bad that then i didn't want to play ⋮-( It's a nice thing.

Some information from Wikipedia:

The melodica, also known as the "blow-organ" or "key-flute", is a free-reed instrument similar to the melodeon and harmonica. It has a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. Pressing a key opens a hole, allowing air to flow through a reed. The keyboard is usually two or three octaves long. Melodicas are small, light, and portable. They are popular in music education, especially in Asia.

The modern form of the instrument was invented by Hohner in the 1950s or 1960s, though some claim the Brooklyn musician Joseph Lederfine invented it to teach music fundamentals to children, and similar instruments have been known in Italy since the 19th century.

The melodica was probably first used as a serious musical instrument by jazz musician Phil Moore Jr. on his 1969 Atlantic Records album Right On. It is associated with Jamaican dub and reggae musician Augustus Pablo who popularized it in the 1970s.

Although the majority of melodicas are made of plastic, some are made primarily of wood. The Sound Electra corporation makes the MyLodica, a wooden melodica designed "to produce a warmer richer sound than that of its plastic relatives".

Melodicas are unusual because unlike most conventional woodwind instruments, they make use of a piano keyboard rather than a specialized fingering system using holes and/or buttons. This allows the player to use a single finger to play any one note of the instrument's range, rather than requiring several fingers to play individual notes, as would be the case with most other woodwinds. The player can then play chords by using his remaining fingers to press additional keys, and thus, sound additional notes. In other words, whereas the many woodwind instruments (such as saxophones or clarinets) are monophonic, the melodica is polyphonic.

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07 December, 2010

Shawm

When the Pyramids of the ancient Egypt didn't existed yet, people already played such instruments there.

Some information from Wikipedia:

The shawm was a medieval and Renaissance musical instrument of the woodwind family made in Europe from the late 13th century until the 17th century. It was developed from the oriental zurna and is the predecessor of the modern oboe. The body of the shawm was usually turned from a single piece of wood, and terminated in a flared bell somewhat like that of a trumpet. Beginning in the 16th century, shawms were made in several sizes, from sopranino to great bass, and four and five-part music could be played by a consort consisting entirely of shawms.

All later shawms had at least one key allowing a downward extension of the compass; the keywork was typically covered by a perforated wooden cover called the fontanelle. The bassoon-like double reed, made from the same Arundo donax cane used for oboes and bassoons, was inserted directly into a socket at the top of the instrument, or in the larger types, on the end of a metal tube called the bocal. The pirouette, a small cylindrical piece of wood with a hole in the middle resembling a thimble, was placed over the reed—this acted as a support for the lips and embouchure.

Since only a short portion of the reed protruded past the pirouette, the player had only limited contact with the reed, and therefore limited control of dynamics. The shawm’s conical bore and flaring bell, combined with the style of playing dictated by the use of a pirouette, gave the instrument a piercing, trumpet-like sound well-suited for out-of-doors performance.

In German the shawm is called Schalmei or Pommer; the first word is believed to derive from the Latin calamus (itself from Greek κάλαμος), meaning "reed or stalk".[1] However, it is also possible that the name comes from the Arabic salamiya or salameya (سلامية), a traditional oboe from Egypt, as the European shawm seems to have been developed from similar instruments brought to Europe from the Near East during the time of the Crusades. This is borne out by the very similar names of many folk shawms used as traditional instruments in various European nations: in Spain, many traditional shawms with different names can be found, such as the castilian or aragonese dulzaina (sometimes called chirimía too); the valencian and catalan shawms (xirimia, dolçaina or gralla) or the navarrese gaita. In Portugal there is an instrument called charamela; and the name of Italian shawm is ciaramella.

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06 December, 2010

Kalimba (mbira)

Widespread African plucked instrument.

Some information from Wikipedia:

In African music, the mbira (also known as Likembe, Mbila, Thumb piano, Mbira Huru, Mbira Njari, Mbira Nyunga Nyunga, Karimbao or Kalimba) is a musical instrument consisting of a wooden board to which staggered metal keys have been attached. It is often fitted into a resonator. In Eastern and Southern Africa there are many kinds of mbira, usually accompanied by the hosho. among the people Shona there are three that are very popular (see Shona music). The Mbira is usually classified as part of the lamellaphone family. It is also part of the idiophones family of musical instruments. In some places it is also known as a sanza or sansa.

In Shona music, the mbira dzavadzimu ("voice of the ancestors", national instrument of Zimbabwe) is a musical instrument that has been played by the Shona people of Zimbabwe for thousands of years. The mbira dzavadzimu is frequently played at religious ceremonies and social gatherings called mabira.

A typical mbira dzavadzimu consists of between 22 and 28 keys constructed from hot- or cold-forged metal affixed to a hardwood soundboard (gwariva) in three different registers—two on the left, one on the right.

While playing, the little finger of the right hand is placed through a hole in the bottom right corner of the soundboard, stabilizing the instrument and leaving thumb and index finger of the right hand open to stroke keys in the right register from above and below. The fingers of the left hand stabilize the left side of the instrument, with most fingers reaching behind the instrument. Both registers on the left side of the instrument are played with the left thumb and sometimes the left forefinger.

Bottle caps, shells, or other objects ("machachara") are often affixed to the soundboard to create a buzzing sound when the instrument is played. In a traditional setting, this sound is considered extremely important, as it is believed to attract the ancestral spirits.

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05 December, 2010

Morin khuur

Befor i began to search and learn about musical instruments i never thought there are instruments with just two strings. And i never thought that people can do with them really nice music.

Some information from Wikipedia:

The morin khuur is a traditional Mongolian bowed stringed instrument. It is one of the most important musical instruments of the Mongolian people, and is considered a symbol of the Mongolian nation. The morin khuur is one of the Masterpieces of the Oral and Intangible Heritage of Humanity identified by UNESCO. It produces a sound which is poetically described as expansive and unrestrained, like a wild horse neighing, or like a breeze in the grasslands.

The instrument consists of a trapezoid wooden-framed sound box to which two strings are attached. It is held nearly upright with the sound box in the musician's lap or between the musician's legs. The strings are made from hairs from horses' tails, strung parallel, and run over a wooden bridge on the body up a long neck to the two tuning pegs in the scroll, which is always carved into the form of a horse's head.

The bow is loosely strung with horse hair coated with larch or cedar wood resin, and is held from underneath with the right hand. The underhand grip enables the hand to tighten the loose hair of the bow, allowing very fine control of the instrument's timbre.

Traditionally, the frame is covered with camel, goat, or sheep skin, in which case a small opening would be left in back. But since the 1970s, new all-wood sound box instruments have appeared, with carved f-holes similar to European stringed instruments.

Morin khuur vary in form depending on region. The Instruments from central Mongolia tend to have larger bodies and thus possess more volume than the smaller-bodied instruments of Inner Mongolia. In Tuva, the morin khuur is sometimes used in place of the igil.

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04 December, 2010

Gemshorn

This is a variant of such instruments as an ocarina and a recorder made from animals' horns.

Some information from Wikipedia:

The gemshorn is an instrument of the ocarina family that was historically made from kirby gemsbok, chamois, goat, or other suitable animal. The gemshorn receives its name from the German language, and means a chamois horn.

The gemshorn was in use in the 15th century. Examples have been unearthed in Italy, in Hungary and in Germany, including one intact instrument made of clay which dates at least to 1450, as it was found buried beneath the foundation of a house built at that time. The early history of the instrument is not well known, but the oldest known illustration of one in a reference work is in Musica Getutscht (1511), by Sebastian Virdung. A skeletal figure is seen holding one in a Danse Macabre illustration dated to 1485. There is also mention of this instrument in "The Complaynt of Scotlande" as "ane gatehorn"(goat horn). Volume 2 of Praetorius's "De Organographica", from the early 17th century, provides detailed construction plates and diagrams for the gemshorn. They were primarily a pastoral instrument and were not widely known after the mid-to-late 16th century. With resurgent interest in early music in the 19th and 20th centuries, they have received new attention. Horace Fitzpatrick developed a form of gemshorn which adopted the fingering method of recorders and produced them in consort families, which have proven very popular since the 1960s.

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03 December, 2010

Lute

Lute is a most popular instrument in a culture of European middle ages. Favorite instrument of bards ^_^_^

Some information from Wikipedia:

Lute can refer generally to any plucked string instrument with a neck (either fretted or unfretted) and a deep round back, or more specifically to an instrument from the family of European lutes.

The European lute and the modern Near-Eastern oud both descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the early Renaissance to the late Baroque eras. It is also an accompanying instrument, especially in vocal works, often realizing a basso continuo or playing a written-out accompaniment.

Various types of necked chordophones were in use in ancient Egyptian in the Middle Kingdom), Hittite, Greek, Roman, Bulgar, Turkic, Indian, Chinese, Armenian/Cilician cultures. The Lute developed its familiar forms as Barbat in Persia, Armenia, and Byzantium beginning in the early 7th century. These instruments often had bodies covered with animal skin, and it is unknown exactly when it became replaced with a wooden soundboard.

As early as the 6th century, the Bulgars brought the short-necked variety of the instrument called Kobuz to the Balkans, and in the 9th century, Moors brought the Oud to Spain. The long-necked Pandura had previously been a quite common variety of the lute in the Mediterranean. The quitra didn't become extinct, however, but continued its evolution. Besides the still survinving Kuitra of Algiers and Morocco, its descendants include the Chitarra Italiana, Chitarrone and Colascione.

In about the year 1500 many Spanish, Catalan and Portuguese lutenists adopted vihuela de mano, a viol-shaped instrument tuned like the lute, but both instruments continued in coexistence. This instrument also found its way to parts of Italy that were under Spanish domination (especially Sicily and the papal states under the Borgia pope Alexander VI who brought many Catalan musicians to Italy), where it was known as the viola da mano.

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02 December, 2010

Pan flute

Well i like wind instruments ^_^_^" I'm really glad that i have one of this type. But my panflute is a bit different and i will tell you about it later.

Some information from Wikipedia:

The pan flute or pan pipe (also known as panpipes) is an ancient musical instrument based on the principle of the Closed tube, consisting usually of five or more pipes of gradually increasing length (and, at times, girth). The pan flute has long been popular as a folk instrument, and is considered the first mouth organ, ancestor of both the pipe organ and the harmonica. The pan flute is named for its association with the rustic Greek god Pan. The pipes of the pan flute are typically made from bamboo or giant cane; other materials used include wood, plastic, and metal.

Another term for the pan flute is syrinx, from Greek mythology, the story of Pan. The plural of syrinx is syringes, from which the modern word syringe is derived. (Pan pipes is both singular and plural) Other names for the instrument are mouth organ, Pandean pipe, and the Latin fistula panis.

The tubes comprising it are stopped at one end, at which the standing wave is reflected giving a note an octave lower than that produced by an open pipe of equal length. In the traditional South American style, pipes are fine-tuned to correct pitch by placing small pebbles or dry corn kernels into the bottom of the pipes. Contemporary makers of curved Romanian-style panpipes use wax (commonly beeswax) to tune new instruments. Special tools are used to place or remove the wax. Corks and rubber stoppers are also used, and are easier to quickly tune pipes.

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01 December, 2010

Harp

I thought that harp is a one of the simpliest musical instruments, but when i searched information i understood that it has many variations. I think i even can make a harp week in future.

Some information from Wikipedia:

The harp is a stringed instrument which has the plane of its strings positioned perpendicular to the soundboard. All harps have a neck, resonator, and strings. Some, known as frame harps, also have a forepillar; those lacking the forepillar are referred to as open harps. Depending on its size (which varies considerably), a harp may be played while held in the lap or while it stands on the floor.

Various types of harps are found in Africa, Europe, North, and South America, and in Asia. In antiquity, harps and the closely related lyres were very prominent in nearly all cultures. The oldest harps found thus far have been uncovered in ruins from ancient Sumer. The harp also predominant in the hands of medieval bards, troubadors and minnesingers, as well as throughout the Spanish Empire. Harps continued to grow in popularity through improvements in their design and construction through the beginning of the 20th century.

Harps were most likely independently invented in many parts of the world in remote prehistory. It is self-evident that the harp's origins may lie in the sound of a plucked hunter's bow string or the strings of a loom.

A type of harp called a 'bow harp' is nothing more than a bow like a hunter's, with a resonating vessel such as a gourd fixed somewhere along its length. To allow a greater number of strings, harps were later made from two pieces of wood attached at the ends: this type is known as the 'angle harp'. They can also come in different colours.

The oldest depictions of harps without a forepillar are from 4000 BC in Egypt[citation needed](see Music of Egypt) the sumerian harp of Ur 3500 BC,and 3000 BC in Persia. Other ancient names for harps include magadis and sambuka. The kanun is a descendant of the ancient Egyptian harp and was introduced to Europe by the Moors during the Middle Ages but is like the beforementioned Aeolian harp not a harp but a member of the zither family.

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